AT the age of 11, Michael Jackson scored his first US number one (
I Want You Back) with The Jackson 5. At 13, he released his first solo album (
Got To Be There).
Just before his 21st birthday, he started a run of five albums that would see him labelled the King of Pop and become one of the biggest and most critically acclaimed artists on the face of the planet.
His death yesterday of cardiac arrest at the age of 50 will shift the public perception of Jackson back to a music-focus.
In recent times, it's been easy to forget that he changed the face of pop music (and not just his own face). After all, when someone said the name 'Michael Jackson' in recent times, people are more likely to think of words like 'molestation' instead of 'moonwalk', 'pervert' instead of 'pop star'. They're more likely to recall Jackson as a cosmetically altered Willy Wonka who has weird sleepovers and strange things going on behind the gates of his Neverland compound.
It's a sad fact that it has taken his death to remind people of the glory days of Jackson's career - his incredible chart success, the way he revolutionised pop music and the music video, his remarkable voice, his energetic and original dance moves, and the string of hits that left every pop star on the planet green with envy.
Now, in the wake of Jackson's untimely death, Musicology would like to take you back to the golden age of MJ.
Off The Wall (1979)
JACKSON already had four solo albums and more than a dozen Jackson 5 records under his belt when his already-
massive career went through the roof with Off The Wall. The trigger was the arrival of producer Quincy Jones - the pair had met during the filming of The Wiz (in which Jackson played The Scarecrow) and struck up a friendship that would inadvertently change the face of mainstream music. Combining funk, disco, pop, soul, rock and jazz, Off The Wall yielded four US top 10 singles and even had three singles in the top 10 at once. First single, the incredibly dancey Don't Stop 'Til You Get Enough, remains one of the greatest pop songs ever written and was the dawn of a new era - not only for Jackson but for black musicians and pop music in general. Prior to his arrival, MTV rarely played so-called "black music'', but after Off The Wall and the subsequent Thriller, everyone wanted to get that funky MJ-QJ sound. Rock With You and the title tracks were also worthy hits.
Thrille r (1982)
DESPITE selling 15 million copies, Jackson thought Off The Wall was a failure and vowed to become the biggest pop star on the planet. Thriller did just that. It's the most popular album ever, with sales estimates ranging from 47 million to 109 million copies. It's been said that if you stacked every copy that was sold end-to-end, it would reach to the moon and
back. Despite having only nine tracks, it yielded seven singles, including the rock-crossover Beat It (which featured some blistering guitar work from Eddie Van Halen), the infectious grooves and stunning melodies of Billie Jean and the killer opener Wanna Be Startin' Somethin'. The album is regularly regarded as one of the greatest ever - not only did it set commercial and musical benchmarks, but it also changed the world of music videos. The 14-minute short film released to promote Thriller - which featured Vincent Price, werecats and those iconic zombie dance moves - was the most expensive music video ever made at the time and remains one of the most spectacular examples of the medium. The video sold nine million copies on VHS alone.
Bad (1987)
IT was always going to be hard to top Thriller, but Jackson came close with Bad. It may not have sold as many copies but it's the only album in history to boast five top 10 US singles. Continuing the sound pioneered on the previous two records by MJ and QJ, the album featured 11 tracks and had nine singles. Strangely, Bad was even bigger in the UK than Thriller but elsewhere it failed to match Thriller's sales, leading some critics to call it a failure (despite the fact it sold more than 30 million copies worldwide). The title track was a massive success, as was the Martin Scorsese-directed short film that came with it. The Way You Make Me Feel is a classic groove and Smooth Criminal remains a great song despite what Alien Ant Farm did to it.
Dangerous (1991)
DESPITE not having as many killer tracks as Bad, Dangerous sold more copies. At 77 minutes there's a fair bit of filler, but there are still some classic MJ moments. Black Or White was a slightly preachy plea that doubled as a response to his own skin-colour change, but it's a cool track topped off by some nice guitar work from Guns `n' Roses' Slash. Basketball
love letter Jam and the nostalgic Remember The Time were both hits, but it was the video clips that were even more memorable. Remember The Time came with an innovative Egyptian-flavoured special-effects bonanza, starring Eddie Murphy, Magic Johnson and Imam, but it was Black Or White that really blew MTV's mind. The extended version of the Black Or White clip featured MJ smashing shops and cars, turning into a panther and grabbing his crotch repeatedly.
H IStory (1995)
THE rot had set in by the mid-'90s. Jackson's private life was overshadowing his music, the press were hounding him and in the four years since Dangerous, the musical landscape had changed thanks to the advent of alternative rock (Nirvana's Nevermind knocked Dangerous off the top of the Australian chart late in `91). HIStory feels like a last-ditch grab to hold onto his crown - as well as the new material, the double album featured a greatest hits disc to ensure big sales. The album sold well, but the new songs weren't as strong - Jackson was angry and used the album to vent about the press, his childhood, the state of the planet and even his old lawyer. Two of the angriest tracks were Scream, which featured his
sister Janet and remains the most expensive film clip ever made, and album highlight They Don't Care About Us. Earth Song was also a hit, while his version of The Beatles' Come Together was innovative. Jackson would return with the not-bad Blood On The Dance Floor (a mixture of new tracks and remixes) in `97 but the glory days were over.