Ok, it's taken a while, but here's the second edition of good songs that became good TV themes. Check out
the previous edition here if you missed it.Once again, these are all songs that weren't written specifically for a TV show, but were picked up later - we'll save best TV themes for a later time.
California - Phantom Planet (The OC)
WRITTEN (not surprisingly) by a Californian band, this track opened Phantom Planet's under-rated album The Guest - a collection of mostly shiny, Fountains Of Wayne-esque pop songs. While the song elevated the band's status, it also became an albatross around their neck. They were already "the band with that actor from Rushmore in it", but now they were "that band that do The OC theme". It's a shame because their next album (titled Phantom Planet) was awesome and worlds away from the commercial sound of California and The Guest, instead following a down-and-dirty guitar-rock sound, possibly as a reaction to The OC thing.
The Young Ones - Cliff Richard (The Young Ones)
WHILE it was re-recorded by the cast, this track start a long-running link between squeaky clean British pop idol Sir Cliff and the raucous TV show named after his song. Not only was Cliff also referenced often in the show, but the cast of the program joined him for a hilarious charity version of his song Living Doll. It topped the UK charts and just went to show that Sir Cliff had a sense of humour after all.
We Used To Be Friends - Dandy Warhols (Veronica Mars)
A FITTING lyrical choice, given the titular character's ability to fit in with different social groups as a college student moonlighting as a private eye. A different version was used for the third and final season, but the original take is the best. It features on The Dandy's last good album Welcome To The Monkey House, where the band got a member of Duran Duran to produce them and came up with an '80s throwback masterpiece.
A Little Less Conversation - Elvis Presley/Let It Ride - Charlie Clouser & Jon Ingoldsby (Las Vegas)
DEPENDING on which country you watched this dramedy in, you would have heard either Elvis Presley's revived '68 single or the darker seductive Let It Ride. Presley's track, which was remixed by Junkie XL, is the more suitable track because it's fun, upbeat and Presley's presence automatically helps conjure images of Vegas. The other theme plays to the show's underbelly elements and is co-written by occasional Nine Inch Nails member Clouser.
How Soon Is Now? - The Smiths (Charmed)
ONE of The Smiths greatest songs - and one of the most un-Smiths sounding songs in their back catalogue - became associated with witches at some point. First it was re-recorded by New York '90s band Love Spit Love and used on the soundtrack to teen witch movie The Craft, then that same version was used as the theme for the equally bewitched show Charmed. The original is masterpiece of guitar recording techniques and the witch thing probably comes from the opening line "I am the son and the heir", which is often mistaken for the more elemental homophones of "I am the sun and the air".